Wednesday, September 28, 2011

Bernard and Doris

  • Inspired by the true story of tobacco billionairess Doris Duke and her devoted Irish butler Bernard Lafferty, the touching HBO Films drama Bernard and Doris stars Oscar? winner Susan Sarandon (Dead Man Walking) and Ralph Fiennes (The English Patient). After failed relationships with her previous waitstaff, Doris meets Lafferty, fresh out of rehab and without a penny to his name. She takes him on a
Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common. Studio: Uni Dist Corp. (mca) Release Date: 03/01/2005 Starring: Susan Sarandon Jason Alexander Run time: 103 minutes Rating: R Director: Luis MandokiGlenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by! the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on getting his money back, and meets a testy Nora, who is bemused at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younge! r man. He gives her a lift, she seduces him, and the rest of t! he movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad, or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula NechakSettle in. Take a deep breath. Hold tight. The best screen version yet of a novel by John Grisham (The Firm, The Pelican Brief) delivers all-out, moment-by-moment suspense! Headliners Susan Sarandon and Tommy Lee Jones join newcomer Brad Renfro in The Client, a whirlwind thriller that "starts like a house afire and keeps on blazing" (Chicago Tribune). Renfro plays Mark Sway, an 11-year-old torn between what he knows and what he can never tell. A hitman will snuff him in half a heartbeat if Mark reveals what he learned about a Mob murder. An ambitious federal prosecutor (Jones) will keep the pressure on until Mark tells all. Suddenly, Mark isn't a boy playing air guitar anymore. He's a pawn in a deadly game. And his only ally is a courageous but unseasoned attorney (Sarandon) who risks her career for him...but never imagines she'll also risk her life.The exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J.T. Walsh, Mary-Louise Parker, Anthony Edwards, William H. M! acy, Anthony LaPaglia, Ossie Davis, and Brad Renfro--goes a lo! ng way t oward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Schumacher's work on this movie that he later asked him to direct A Time to Kill. --Jim EmersonThe exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J.T. Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia,! Ossie Davis, and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Schumacher's work on this movie that he later asked him to direct A Time to Kill. --Jim EmersonBased on the novel by Sidney Sheldon, this riveting story of love and revenge boasts dazzling po! rtrayals by Marie-France Pisier, John Beck and Susan Sarandan ! in one o f her career-making roles.

Although American WWII pilot Larry Douglas (Beck) promises to marry French femme fatale Noelle Page (Pisier), he instead returns Stateside and marries well-to-do Catherine Alexander (Sarandon). And once Noelle takes a Greek multi-millionaire (Raf Vallone) as a lover, she plots to shame Larry by arranging for him to be the tycoonÂ's private pilot. But in one of many delicious twists of fate in this gripping tale of love, war and betrayal, Noelle and Larry again become passionate, and when Catherine refuses to divorce Larry, the cheating couple seek a murderous revenge.An over-the-top film co-starring a young and gorgeous Susan Sarandon, The Other Side of Midnight is a deliciously melodramatic adaptation of Sidney Sheldon's sweeping (and often schlocky) novel of the same name. Released theatrically in 1977, the film focuses on the intermingling lives of sexily innocent Noelle (Marie-France Pisier), who has a brief affair with a cad n! amed Larry (John Beck), who ends up marrying wealthy and proper Catherine (Sarandon). When Noelle and Larry meet first lock eyes, he is a dashing World War II American fighter pilot who professes his love for her. But when she discovers she is pregnant with his baby, he is nowhere to be found. So what's a poor girl to do but abort her baby, rise to stardom as one of the world's most famous actresses, and plot revenge against her duplicitous ex-lover? But faster than you can say, "You go, girl!" (or "Oh no she didn't," depending on your point of view), Noelle once again falls for Larry's vaguely porn star charms. But what to do with Catherine, who refuses to divorce her cheating spouse? Make no mistake about it: The Other Side of Midnight is not quality filmmaking and is probably not something Academy Award winner Sarandon even lists on her resume. But she is a joy to watch, even as she has to deliver clunky lines such as, "If you don't love me, Larry, don't lay me." ! This is not a great movie. Heck, it's not even a particularly ! good mov ie. But it's one of those guilty pleasures that you'll watch all the way through, even as you're complaining about the implausibility of it all. --Jae-Ha KimGlenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor part! y for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on getting his money back, and meets a testy Nora, who is bemused at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younger man. He gives her a lift, she seduces him, and the rest of the movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wast! es into decline while Nora ultimately thrives in the quest for! truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad, or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula NechakInspired by the true story of tobacco billionairess Doris Duke and her devoted Irish butler Bernard Lafferty, the touching HBO Films drama Bernard and Doris stars Oscar® winner Susan Sarandon (Dead Man Walking) and Ralph Fiennes (The English Patient). After failed relationships with her previous waitstaff, Doris meets Lafferty, fresh out of rehab and without a penny to his name. She takes him on as her butler and he is put in the unenviable position of having to convince the notoriously demanding Duke to keep him in her employ. Directed by Bob Balaban (Gosford Park),! the film effectively captures the elegance of a bygone era and is scored with countless musical standards, such as Peggy Lee's "The Best Is Yet To Come". Bernard and Doris tells the witty and endearing tale of an unconventional bond between a society "princess" and her flawed "pauper" of a butler. Bravura turns by Ralph Fiennes and Susan Sarandon in the title roles carry Bernard and Doris, director Bob Balaban’s 2007 film about the long relationship between zillionaire tobacco heiress-philanthropist Doris Duke and her butler, Bernard Lafferty. These are two fine actors (Sarandon has been nominated for five Oscars, winning for Dead Man Walking, while Fiennes has been nominated twice) at the top of their games. That’s a good thing, as they are on screen almost constantly; and the truth is that other than the evolution of the Duke-Lafferty bond, not a lot actually happens. Sarandon delivers a measured, almost casual performance as Duke, a woman who seems rel! atively unpretentious (if clearly entitled) about her vast for! tune, de spite have done absolutely nothing to earn it. Duke barely even acknowledges her various employees, except to fire them (or occasionally sleep with them; the twice-married heiress has a predilection for studly, much younger men)--until Lafferty comes along, that is. Stone broke and fresh out of rehab (his alcoholism is an ongoing theme), the shy Irishman gradually ingratiates himself with his demanding employer until he becomes as much a companion as a servant. It helps that as a gay man, he has no interest in seducing her; moreover, unlike the many others who are out to get their hands on her money, Lafferty seems to genuinely value loyalty and friendship over more venal concerns ("I just want to take care of you," he says in one of several poignant scenes), and he’s rewarded with several million dollars and full control of her estate after her death (in 1993). Fiennes is also admirably restrained in a role that could have been meretricious and over the top; combine that ! with a fine script (by Hugh Costello) and some great songs by Peggy Lee, and a splendid time is guaranteed for all. --Sam Graham

0 comments

What Is Not Romance? Movie Poster (11 x 17 Inches - 28cm x 44cm) (2009) Korean Style A -(Jeong Hyeong-Joon)(Jeon Jin-ah)(Park Ji-Yoon)(Im Ok-Gyoon)

0 comments

Tuesday, September 27, 2011

The 1st Shop of Coffee Prince

  • Region Code 1, 4
  • Picture Format NTSC, 16:9
  • Language Korean , Subtitles English, Spanish , Japanese
  • Number of Episodes 17, Number of Discs 7
  • Publisher: MBC Distribution, Inc.
Journey into the imaginative world of Palace where kings and queens still rule modern day Korea. Grand and beautiful, the palace becomes the home to a group of royals pulled into the political rivalries and romantic entanglements of palace life. Shin (Joo Ji-Hoon) may be the picture-perfect Crown Prince, but he is aloof and wary of his royal status. Commoner Chae-Kyung (Yoon Eun-Hye) is headstrong and outspoken, but fiercely loyal to her loved ones. Their worlds unexpectedly collide when an arranged marriage makes them husband and wife! It s not exactly happily ever after for this royal odd couple as they try to make sense of their relationship. Life gets even more complicated when Pri! nce Yool (Kim Jeong-Hoon) returns to the palace to compete for both Chae-Kyung's affection and the throne. With vivid cinematography, elaborate costumes and set designs, and a fresh young cast, Palace is a spectacular visual experience. Sparks will fly when romance clashes with palace politics in this colorful romantic comedy.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 145. Chapters: South Korean pop singers, BoA, Yoon Eun-hye, Harisu, Rain, Yoo Young-jin, Eun Ji Won, Lee Min Woo, Lee Seung Gi, Kim Hyun-Jung, Lee Hyori, Kangin, Lee Byung-hun, Kim Jong Kook, Younha, Seohyun, MC Mong, Hero, Kim Dong-ryool, Taeyeon, Eru, Brian Joo, Choi Siwon, Jang Na-ra, Kim Dong Wan, Shin Hye Sung, IU, Kyuhyun, Sooyoung, Kim Heechul, Eunhyuk, Seven, Chae Yeon, Xiah, Taeyang, Hyuna, Kim Kibum, Sungmin, Yesung, Leeteuk, Lee Gi Kwang, Jessica, Sung Si Kyung, Ivy, Lee Donghae, Bae Seul-Ki, Kangta, Ham ! Eun-jeong, Son Dam Bi, Ryeowook, Shindong, Tiffany, Kim Hyun J! oong, Yo ona, Han Seung-yeon, Jun Jin, Lee Ji-hoon, Andy Lee, Taegoon, Baek Ji-Young, Hyun Young, Kim Joon, Lee Jung Hyun, Yong Jun Hyung, Kwon Yuri, Micky, Jo Kwon, Hwangbo, Wheesung, U-Know, Doo Joon, Park Jin-young, Tim, Max, Krystal Jung, Seungri, Goo Ha-ra, Uee, Sunny, Nicole Jung, Shim Mina, Tony An, Luna, Daesung, Jung Yong Hwa, U;Nee, Eugene, Kim Hyung Jun, Dana, Jang Woo Hyuk, Hyoyeon, Jonghyun, May, Bada, Yo Seob, Kim Jong Min, Kang Seung-yoon, Park Jeong-Ah, Park Gyuri, PSY, Uhm Jung-hwa, Sol Bi, Lee Ki-Chan, Lee Soo Man, Park Yong-ha, Choi Minho, Tei, Onew, Ryu Shi-won, Byul, Kim Jeong Hoon, Park Ji-yeon, Lee Taemin, Park Hyo-shin, Kim Bum Soo, Lee Dong-gun, Park Jung Min, Lim Jeong Hee, Kangta & Vanness, Choi Jong Hun, Ock Joo-hyun, Key, Kang Jiyoung, Shoo, Narsha, Alex Chu, Jeon Hye-Bin, Jung Ryeo-won, Nam Hyun Joon, Lee Soo Young, Lee Jae Won, Shin Jung-hwan, Kim Gun-mo, Dong Woon, Lee Hyun, Lee Seung-Hwan, Cha Tae-hyun, Wax, Yeon Woo, Ajoo, Jo Sungmo, Sung Yu Ri, Shim! Eun Jin, Lee Tzsche, Chae Jung-An, Shin Ji, Park Ji-yoon, Kim Jae Duc, Yoo Chae-yeong, Jo Eun Byul, Lim Chang-jung, Kim Wan-Sun, Ko Ji Yong, Kang Sung Hoon, Lee Jin, No Min-woo, Joo Jong-hyuk, Kim Jong Wook, Shin Seung Hun, Min Hae-Kyung, KCM, Seo Ji Young, Insooni, Cho Min Hye, ...Coffee Prince's Flagship Store is a TV series that revolves around the love life and dreams of four young people who meet together at a café. Han-gyeol (actor Gong Yoo) is a smart young man who hates to be tied down to one career in his life. Abhorring the idea of joining the family business, he is ordered by his grandmother to manage a café. Unable to disobey his grandmother, he reluctantly takes over the responsibility of running a café and begins to immerse himself in the gourmet coffee business. One day, he meets Eun-chan, a cheerful girl who has an unpredictable personality, and learns the meaning of true love... < Coffee Prince's Flagship Store> is a story about a group of young people who find themselves drawn to the gourmet coffee business where they also find love and new hope. The TV series will also show what it takes to run a family business and become a true steward who can oversee a company.
0 comments

JODIE MARSH 20X24 COLOR PHOTO

  • Description: High Quality real photograph printed on Fuji Paper.
  • Size: 20X24 inches
The newest rising star of the celebrity world, Jodie Marsh found fame as part of the TV series Essex Wives and has established herself as a tabloid favorite. From her unhappy school days and her teenage nose job to her current success, this is her uncensored story. It includes her very public feud with archrival Jordan and her legendary partying antics in her outrageous outfits. She recounts her days as a stripper and Page 3 model and dishes the sexy truth on her passionate affairs with a string of famous boyfriends. But Jodie has had her share of tragedy, and in her frank story she talks for the first time about the devastating effect that the murder of one of her closest friends had on her. Forthright, sassy, determined, and sexy, this is the story of one of Britain's brightest stars! .
Fuente: Wikipedia. Páginas: 37. Capítulos: Diseñadores de moda de Reino Unido, Modelos del Reino Unido, Antony Hamilton, Naomi Campbell, Jodie Marsh, Stella McCartney, Victoria Beckham, Daniel Craig, Kate Moss, Twiggy, Katie Price, Alexander McQueen, Hugh Dancy, Keeley Hazell, Vanessa Angel, Hussein Chalayan, Elizabeth Siddal, John Galliano, Pattie Boyd, Kaya Scodelario, Lee Starkey, Mary Quant, Heather Mills, Claire Stansfield, Lauren Gold, Jacqueline Voltaire, Elizabeth Hurley, Lily Donaldson, Lucy Gordon, Agyness Deyn, Jamie Campbell Bower, Lilian de Suecia, Samantha Fox, Rosie Jones, Tamsin Egerton, Rebekah Teasdale, Yasmin Parvaneh, Vivienne Westwood, Rosie Huntington-Whiteley, Michael Cruz, Pantalón pitillo, Michelle Marsh, Bianca Gascoigne, Alison Carroll, Tara Hoyos-Martinez, Kelly Brook, Paul Sculfor, Jennifer Ellison, Sian Adey-Jones, Charles Frederick Worth, FCUK, Alexandra Kitchin, Jakki Degg, Penny Lancaster, Will Chalker. Extracto: Antony Hami! lton (4 de mayo de 1952 - 29 de marzo de 1995) fue un actor; m! odelo y bailarín/coreógrafo británico-australiano, también conocido como Tony Hamilton o Anthony Hamilton, que se dio a conocer para la audiencia por ser el nuevo co-protagonista de la accidentada serie de televisión Cover-Up, emitida originalmente por la cadena de televisión estadounidense CBS durante los años 1984-1985. Antony Hamilton nació el 4 de mayo de 1952 en Liverpool (Gran Bretaña). Con apenas dos años, fue adoptado por un matrimonio australiano formado por el Coronel de las Fuerzas Aéreas Australianas Donald Smith y su esposa Margaret. Desde la edad de tres años, creció en una pequeña granja de ovejas de unos 650 acres en la localidad australiana de Adelaide. Allí acudió al Colegio Escocés donde la danza y el ballet eran parte significativa del expediente académico. Con el apoyo de su padre, en 1967 Tony abandonó el Colegio Escocés a la edad de 15 años para entrar en la Escuela de Ballet Australiana en Melbourne. Una vez completó su forma...Fuente: W! ikipedia. Páginas: 30. Capítulos: Antony Hamilton, Naomi Campbell, Jodie Marsh, Victoria Beckham, Daniel Craig, Kate Moss, Twiggy, Katie Price, Hugh Dancy, Keeley Hazell, Vanessa Angel, Elizabeth Siddal, Pattie Boyd, Kaya Scodelario, Heather Mills, Claire Stansfield, Lauren Gold, Jacqueline Voltaire, Elizabeth Hurley, Lily Donaldson, Lucy Gordon, Agyness Deyn, Jamie Campbell Bower, Lilian de Suecia, Samantha Fox, Rosie Jones, Tamsin Egerton, Rebekah Teasdale, Yasmin Parvaneh, Rosie Huntington-Whiteley, Michael Cruz, Michelle Marsh, Bianca Gascoigne, Alison Carroll, Tara Hoyos-Martinez, Kelly Brook, Paul Sculfor, Jennifer Ellison, Sian Adey-Jones, Alexandra Kitchin, Jakki Degg, Penny Lancaster, Will Chalker. Extracto: Antony Hamilton (4 de mayo de 1952 - 29 de marzo de 1995) fue un actor; modelo y bailarín/coreógrafo británico-australiano, también conocido como Tony Hamilton o Anthony Hamilton, que se dio a conocer para la audiencia por ser el nuevo co-protagonista de ! la accidentada serie de televisión Cover-Up, emitida original! mente po r la cadena de televisión estadounidense CBS durante los años 1984-1985. Antony Hamilton nació el 4 de mayo de 1952 en Liverpool (Gran Bretaña). Con apenas dos años, fue adoptado por un matrimonio australiano formado por el Coronel de las Fuerzas Aéreas Australianas Donald Smith y su esposa Margaret. Desde la edad de tres años, creció en una pequeña granja de ovejas de unos 650 acres en la localidad australiana de Adelaide. Allí acudió al Colegio Escocés donde la danza y el ballet eran parte significativa del expediente académico. Con el apoyo de su padre, en 1967 Tony abandonó el Colegio Escocés a la edad de 15 años para entrar en la Escuela de Ballet Australiana en Melbourne. Una vez completó su formación y en los procesos de selección se puso de manifiesto que no sólo tenía aptitud dramática, sino que había sido bendecido con un talento único para la danza, la Compañía Australiana de Ballet le dio la bienvenida. Mientra...At Moviestore we have an! incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!
0 comments

Monday, September 26, 2011

Shinjuku Incident Poster Movie Japanese (11 x 17 Inches - 28cm x 44cm) Jackie Chan Naoto Takenaka Daniel Wu Jinglei Xu Bingbing Fan

0 comments

Fifty Pills

  • FIFTY PILLS - WIDESCREEN (DVD MOVIE)
Based on the propaganda film from 1936 that has become a cult hit, Reefer Madness is the height of camp entertainment! Framed as a "documentary", a straight-laced high school principal (Alan Cumming) seeks to impart his wisdom about the demon weed by telling a frightful tale about the fate of two innocent teens who fall under the spell of the drugs. Filled with outrageously funny and musical performances by Neve Campbell, Christian Campbell, Kristen Bell and Steven Weber, Reefer Madness is the feel good event of the year!If the idea of making a musical out of Roger Corman's Z-movie quickie The Little Shop of Horrors sounded weird, stick around for the all-singing, all-dancing Reefer Madness. Deliriously based on the notorious 1936 anti-pot social-guidance film, this is an ultra-campy enterprise that lands somewhere between Rocky Horror! and a John Waters comedy. Christian Campbell and the spritzy Kristen Bell play the innocent teens lured into a soul-sapping cloud of marijuana dependence by pencil-mustached pusher Steven Weber and his long-suffering dame, Ana Gasteyer. The cast includes femme fatale Amy Spanger and a cameo by Neve Campbell, who dances her way through one sequence. The musical was written and composed by Kevin Murphy and Dan Studney, who re-create some of the kookiest scenes from the original movie ("Faster! Faster!"). Their funniest idea is to frame the sordid saga with a black-and-white story of a government agent showing a public-service film to horrified small-town citizens; he's played by the reliably sinister Alan Cumming, who also pops up in a variety of guises in the film-within-the-film. The only problem with this made-for-Showtime version of the stage show is that camp tends to wear thin, especially at 109 minutes, despite the expert song parodies. Even the original hour-long ! Reefer Madness got old quick. --Robert HortonOffici! al Selec tion - Tribeca Film Festival 2006; Bonus Features: Filmmakers' Commentary; Deleted & Extended Scenes; Behind the Scenes Featurette
0 comments

Paris Hilton by Paris Hilton for Women - 3.4 Ounce EDP Spray

0 comments

Sunday, September 25, 2011

2006 Candice Michelle WWE Playboy magazine

0 comments