Legally Blonde Poster Movie Double Sided 11x17 Reese Witherspoon Matthew Davis Selma Blair
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- 11 x 17 Inches - 28cm x 44cm
- Double Sided - Reverse Image On Other Side of Poster
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- Legally Blonde Double Sided Poster
Mother (Kath) and daughter (Kim) are obsessed with celebrity culture and fancy themselves celeb wannabes in their own mall-centric world. Both actresses have perfected the red-carpet catwalk, for instance, with the perfect hair-toss, which nobody but each other--and the viewer--really notices. One of the best bits about the two leads is their penchant for mangling words as they put on airs (think Archie Bunker meets Married with Childrenâ¦). The malapropos alone make the series worth watching. In ! making some silly point, Kath declares, in her closing line: "! Ipso fat so." Argument won. But if Kath and Kim are shallower than the Los Angeles River, they do have big hearts underneath--which gives the series its balance.
Extras include deleted scenes, a gag reel that's truly over-the-top, and spot-on commentary by stars Shannon, Blair, Mikey Day, and John Michael Higgins, as well as the show's executive producers and writers. A lot of talent goes into making these women so perfectly dim. --A.T. Hurley "From Todd Solondz, the critically acclaimed director of Welcome to the Dollhouse comes a film comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/troubled characters, it explores issues of sex, race, celebrity and exploitation. Todd Solondz, director of the acclaimed Welcome to the Dollhouse and the controversial Happiness, continues pushing the envelope of social decorum with the merciless and casually cruel S! torytelling, his most ruthless satire of suburban complacency. Broken into two unrelated chapters, "Fiction" follows college girl Selma Blair through a degrading encounter with her resentful writing teacher (Robert Wisdom), while the more sprawling and scattershot "Non-Fiction" circles around the mutual exploitation of a fumbling documentary filmmaker (Paul Giamatti doing a near-parody of director Solondz) and his clueless subject, a suburban high school slacker named Scooby (Mark Webber). The squirmy laughs are laced with humiliation and the satire is acidic and cynical; in the world of Solondz, victims and victimizers alike are petty, selfish, vindictive, and thoughtless, and empathy is strictly rationed. Though sharply written and well directed, this misanthropic vision is strictly for daring filmgoers and Solondz fans. --Sean AxmakerFour college friends meet up again years later and reconnect in ways that will change their lives forever.SWEETEST THING - DVD M! oviePrudes, beware! Despite its tendency to take the comedic l! ow road, The Sweetest Thing is a near-perfect product of the new-millennial Hollywood. That's a backhanded compliment, but as a fun-loving Yankee girl's answer to Bridget Jones's Diary, the mainstream pandering of Nancy Pimental's lucrative screenplay is undeniably effective. On the opening soundtrack, Macy Gray's "Sexual Revolution" is a perfect accompaniment to gyrating guy-dumper Christina (Cameron Diaz), whose fear of commitment is tested when she meets Peter (Thomas Jane) and knows he's Mr. Right. With supportive gal-pals Courtney (Christina Applegate) and Jane (Selma Blair), she plots to snag the guy, and the movie's road-trip detour mines gut-busting gold from gags involving incriminating dress stains, oral sex, rotting food, garish clothing, and the simple joys of old-fashioned romance. Perfectly cast, raucously ribald, and conventionally charming, The Sweetest Thing is a schizophrenic comedy, but its dual personalities are irresistibly in synch. --Je! ff ShannonLegally Blonde Reproduction Poster Print Double Sided 11 x 17 Inches - 28cm x 44cm
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