Saturday, November 12, 2011

Constantine (Widescreen Edition)

  • Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello, Constantine tells the story of John Constantine (Keanu Reeves), a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons
Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello, Constantine tells the story of John Constantine (Keanu Reeves), a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic! series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

DVD Features:
Additional Scenes:18 minutes of additional scenes
Alternate endings

In the grand scheme of theological thrillers, Constantine aspires for the greatness of The Exorcist but ranks more closely with The Order. Based on the popular Hellblazer comic book series, and directed with nary a shred of intelligence by music video veteran Francis Lawrence, it's basically The Matrix with swarming demons instead of swarming machines. Keanu Reeves slightly modifies his Matrix persona as John Constantine, who roams the dark-spots of Los Angeles looking for good-evil, angel-devil half-breeds to ensure that "the balance" between God and Satan is properly maintained. An ancient artifact and the detective twin of a woman who committed evil-induced suicide (Rachel Weisz) factor into the ! plot, which is taken so seriously that you'll want to stand up! and che er when Tilda Swinton swoops down as the cross-dressing angel Gabriel and turns this silliness into the camp-fest it really is. The digital effects are way cool (dig those hellspawn with the tops of their heads lopped off!), so if you don't mind a juvenile lesson in pseudo-Catholic salvation, Constantine is just the movie for you! --Jeff Shannon

Beauty and the Beast

  • the beauty and the beast
  • Belle
  • Picture frame
  • photo frame
  • bell photo frame
This "tale as old as time" follows the adventures of Belle, a bright young woman who finds herself imprisoned in the castle of a mysterious beast. With the assistance of the castle's enchanted staff, a delightful and tender romance develops between these two unlikely friends and Belle soon learns the most important lesson of all â€" that true beauty comes from within.The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is! too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or una! vailable edition of this title.

Glass

  • ISBN13: 9781416940913
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
This is a story about a monster. Not a dragon or a mythological beast, but a very real, very destructive monster--crystal meth--that takes hold of seventeen-year-old Kristina Snow and transforms her into her reckless alter-ego Bree. Based on her own daughter's addiction to crystal meth, Ellen Hopkins' novel-in-verse is a vivid, transfixing look into teenage drug use. Told in Kristina's voice, it provides a realistic portrayal of the tortured logic of an addict.Ellen Hopkins's semi-autobiographical verse novel, Crank, reads like a Go Ask Alice for the 21st century. In it, she chronicles the turbulent and often disturbing relationship betw! een Kristina, a character based on her own daughter, and the "monster," the highly addictive drug crystal meth, or "crank." Kristina is introduced to the drug while visiting her largely absent and ne'er-do-well father. While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree: "there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank. Soon, her grades plummet, her relationships with family and friends deteriorate, and she needs more and more of the monster just to get through the day. Kristina hits her lowest point when she is raped by one of her drug dealers and becomes pregnant as a result. Her decision to keep the baby slows her drug use, but doesn't stop it, and the author leaves the reader with the distinct impression that Kristina/Br! ee may never be free from her addiction. In the author's note,! Hopkins warns "nothing in this story is impossible," but when Kristina's controlled, high-powered mother allows her teenage daughter to visit her biological father (a nearly homeless known drug user), the story feels unbelievable. Still, the descriptions of crystal meth use and its consequences are powerful, and will horrify and transfix older teenage readers, just as Alice did over 20 years ago. --Jennifer HubertThe heart-wrenching bestselling Crank trilogy shows that addiction is never just one person’s problem.

Crank

Kristina is the perfect daughter: gifted high school junior, quiet, never any trouble. Then she meets the monster: crank. And what begins as a wild ride turns into a struggle for her mind, her soulâ€"her life.

Glass

Crank. Glass. Ice. Crystal. Whatever you call it, it’s all the same: a monster. Kristina thinks she can control it. Now with a baby to care for, she is determined to be the one deciding when and h! ow much, the one calling the shots. But the monster is strong, and before she knows it, Kristina is back in its grip . . . and it won’t let go.

Fallout

Nineteen years after Kristina met the monsterâ€"crankâ€"her three children are reeling from the consequences of her decisions. Instead of one big, happy family, they are desperate tangle of scattered lives united by anger, doubt, and fear. There is more of Kristina in her children than they would ever like to believe. But when the thread that ties them together brings them face-to-face, they’ll discover something powerful in each other and in themselvesâ€"the trust, the hope, the courage to begin to break the cycle.There are a thousand ways to raise your adrenaline, and today hit many Chev Chelios (Jason Statham) will need every one! He has one hour to settle the score and say good-bye to his girl and go out with a little style! The only question is, will he stay alive long enough to see it happen?Act! ion anti-hero Jason Statham is competing with himself to make ! the most relentless, non-stop action flick imaginable. In Crank, Statham stars as a hit man named Chev Chelios who's been poisoned by some Chinese toxin; the only way to stave it off is to keep his adrenalin flowing, which requires him to drive at top speeds through crowded traffic, start fights in bars, and run pell-mell down hospital corridors while wearing one of those humiliating smocks that tie in the back. In other words, Crank is high-end pop-trash, filled with many preposterous/ingenious stunts and over-the-top performances (Dwight Yoakam, Sling Blade, is downright droll as a doctor offering Chev assistance), marred by an unpleasant attitude towards women (Amy Smart, Outside Providence, will not look back on this as one of her signature roles). This is a movie for the audience who enjoyed Transporter and Transporter 2 but wanted Statham's perpetual scowl to become a kind of theatrical mask, a perpetual signifier of intensity that beg! s--nay, demands--that everything around it rise to a mutual level of absurdity. Fans of Luc Besson (Leon/The Professional, District 13) will find Crank to be simpatico. --Bret FetzerCrank. Glass. Ice. Crystal. Whatever you call it, it's all the same: a monster. And once it's got hold of you, this monster will never let you go.

Kristina thinks she can control it. Now with a baby to care for, she's determined to be the one deciding when and how much, the one calling the shots. But the monster is too strong, and before she knows it, Kristina is back in its grips. She needs the monster to keep going, to face the pressures of day-to-day life. She needs it to feel alive.

Once again the monster takes over Kristina's life and she will do anything for it, including giving up the one person who gives her the unconditional love she craves -- her baby.

The sequel to Crank, this is the continuing story of Kristina and her descent back to! hell. Told in verse, it's a harrowing and disturbing look at ! addictio n and the damage that it inflicts.

The Last Song

  • LAST SONG (DVD MOVIE)
John C. Reilly, Jonah Hill and Oscar® Winner Marisa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let another man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years sinc! e Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. ! --Bret FetzerAmbitious television reporter Maria Sanche! z (Danie lle Harris of Rob Zombie's Halloween, Hatchet 2) is investigating the disappearance of over 200 Midwestern University students when a local man (Lance Henriksen of Aliens) contacts her with information that reveals details of the serial killer and his crimes: His name is Cyrus (a chilling performance by Brian Krause of ''Charmed'') and the murders themselves were brutal. What happened next was horrific but the worst is still to come. Based on shocking true events, this bloody and brutal story of the 'The County Line Cannibal' will leave a taste in your mouth that you'll never forget.John C. Reilly, Jonah Hill and Oscar® Winner Marisa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let a! nother man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to c! all it purity would be too highbrow for these aggressively ped! estrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. --Bret FetzerMiley Cyrus shines as the star of this heartwarming coming-of-age movie that will strike your emotional chords. Based on the novel by Nicholas Sparks (Dear John, The Notebook), The Last Song follows Ronnie (Cyrus) and her estranged father as he tries to restore the loving relationship they once had. But reconnecting with his rebellious daughter isn’t easy, so he chooses the one thing they still have in common â€" music. Complete with not-to-be-missed bonus features â€" the Miley Cyrus music video “When I Look At You,” exclusive interviews with t! he actress and more â€" this uplifting and touching drama about family, first loves and second chances is a heartfelt story to you won’t soon forget.
This romantic tearjerker from writer Nicholas Sparks (Dear John, The Notebook) can be formulaic at times, but it stays interesting thanks to pacing and snappy dialogue. Miley Cyrus sulks through The Last Song as troubled teen Ronnie, who resents her father (Greg Kinnear) for divorcing Mom (Kelly Preston) and leaving the family. A piano prodigy, Ronnie refuses to play after her father leaves, and she snubs admission to Julliard. Ronnie and her wisecracking brother Jonah (Bobby Coleman) are sent to spend the summer with their father in a small Georgia beach town. Handsome townie Will (Liam Hemsworth) strikes up a tense relationship with Ronnie and, true to romance formula, they fall in love. Ronnie softens her attitude and the ice between father and daughter begins to melt away. But Dad has a tragic s! ecret, and in the end, music helps Ronnie open her heart and h! eal. Cyr us gives a predictable performance as the all-attitude Ronnie, but she's helped along by Coleman's cute-little-brother shtick (which can be a bit heavy-handed, but the youngster is a scene-stealer). Veteran actors Preston and Kinnear are one-dimensional, but The Last Song is a harmless teen romance--who's watching the adults, anyway? --Francine Ruley

Goody Simple Styles Modern Updo Maker

Head Over Heels (Marine, Book 1)

Ty Beanie Baby Alvin, Alvin and the Chipmunks

  • Official product from Ty?s wildly popular Beanie Babies Collection
  • Look for the familiar heart-shaped tag that means you?ve purchased an authentic Ty product
  • Handmade with the finest quality standards in the industry
  • Requires no additional gift tag; inside allows you to insert ?TO? and ?FROM? information
  • Collect them all
A L V I N ! ! ! ! ! ! ! ! Struggling songwriter Dave Seville (Jason Lee) opens his home to a talented trio of chipmunks named Alvin, Simon and Theodore, they become overnight music sensations. But when a greedy record producer (David Cross) tries to exploit the "boys", Dave must use a little human ingenuity and a lot of 'munk mischief to get his furry family back before it's too late!Families come in many different shapes and sizes, but few humans consider rodents members of the family. Dave Seville (Jason Lee) is no exception, so when this fla! iling musician finds three young talking chipmunks gorging themselves in his kitchen cupboards, Dave is quick to question his sanity and then toss the offending chipmunks outside into the rain and restore order. When Dave hears the chipmunks singing outside his window, he realizes that that unusual trio might just be the world's next vocal sensation and he strikes a bargain with them--the chipmunks can stay with him if they sing his songs. While chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler) quickly begin to see Dave as a father figure, it's strictly a business arrangement for Dave and he maintains an appropriate emotional distance. Dave's frustration with the chipmunks mounts as they unwittingly wreak havoc on his personal life, but when Dave's old friend and record label mogul Ian (David Cross) begins to exploit the chipmunks for personal gain, Dave suddenly realizes what an important part of his life, and indeed his family, the! three chipmunks have become. Hilarity reins in this live acti! on/CGI c omedy with many memorable scenes--think chipmunks showering in the dishwasher, riding in remote control planes, and bouncing off the walls under the influence of a serious caffeine buzz. Catchy Chipmunks' songs both new and old promise to lodge themselves in the minds of viewers long after the credits roll and even those none-too-enchanted with the premise of singing chipmunks can't help but be entertained by this comical film. (Ages 6 and older with parental guidance due to mild rude humor) --Tami HoriuchiChipmunk singing sensations Alvin, Simon and Theodore are back for an encore in this hilarious “squeakquel” packed with more action and more nutty fun for the whole family! When a concert mishap lands Dave in the hospital, the Chipmunks take a break from superstardom and enroll in school to fit in with kids their age. But they soon face some stiff competition when they meet the Chipettes â€" a beautiful, talented trio of chipmunks discovered by Ian, the boys’ ! evil ex-manager! Dave (Jason Lee) isn't exactly the typical father figure with an average family, but he cares deeply about his adoptive chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler). While the performing life presents its own unique challenges, Dave always does his best to instill a sense of compassion and familial love into his young charges. When Alvin begins to get a little too caught up in his own stardom, Dave reminds him to share the spotlight with his fellow chipmunks, but Alvin gets carried away and ends up inadvertently injuring Dave on location in Paris. Aunt Jackie (Kathryn Joosten) steps in to look after the Chipmunks, but when her wheelchair rolls down a flight of stairs, only her irresponsible grandson Toby (Zachary Levi) is left to watch over the boys. An unemployed video gamer who lives with Jackie, Toby is completely unprepared for the responsibility of caring for the Chipmunks, but he agrees nonetheless. Starti! ng school is not easy for the Chipmunks, and they are the targ! et of bu llying from their very first day. But Alvin eventually works his way in with the popular crowd, leaving Theodore and Simon to fend for themselves with little support from Toby. The school principal (Wendie Malick) is one of the Chipmunks' biggest fans, and when the school's music department is about to be shut down due to lack of funds, she decides to enter them in a competition that will save the music program. Enter the Chipettes--female chipmunks Brittany (Christina Applegate), Eleanor (Amy Poehler), and Jeanette (Anna Faris), who are seeking their own chance for singing stardom--and the Chipmunks' dishonest ex-agent, Ian (David Cross), and the stage is set for some serious backstabbing competition. Craziness reigns as the two groups wage a musical war against one another, but in the end it all comes down to a question of what's more important--stardom or friendship. As in the first Alvin and the Chipmunks movie, the music is strangely appealing despite being perfo! rmed mostly in falsetto, the characters are cute, the action is comical, and the life lessons ring true. (Ages 6 and older with parental guidance due to some mild rude humor) --Tami Horiuchi2 fun-tastic adventures on one irresistible DVD!

Get ready for hilarious thrills and chills as everyone's favorite mischief-makers â€" chipmunk brothers Alvin, Simon and Theodore â€" bring timeless entertainment to the whole family in the Alvin and the Chipmunks Scare-riffic Double Feature! These two full-length, spooky adventures promise hours of song-filled, wacky fun and spook-tacular escapades. Join the world's most famous chipmunks as they uproariously collide with the legendary doctor and his creation in Alvin and the Chipmunks Meet Frankenstein. Race against the next full moon with the madcap brothers and their gal pal Chipettes as they howl with laughter in Alvin and the Chipmunks Meet the Wolfman. For high quality haunts and delightful antics, take home this must-ow! n collection!

ALVIN AND THE CHIPMUNKS MEET FRANKENSTEIN T! he misch ievous brothers explore a popular theme park attraction, Frankenstein's Castle, that's been taken over by the real doctor and his beloved Monster!

ALVIN AND THE CHIPMUNKS MEET THE WOLFMAN Monster-obsessed Alvin is sure that the mysterious new neighbor is a werewolf, but the fun and frights really begin when Theodore starts acting strangely, too!

Alvin is the life of the party. He has never heard the term "look before you leap". He is funny, impulsive & of course a musical genius. Allllvvviiinnnn...

Features include:

•Official product from Ty?s wildly popular Beanie Babies Collection
•Look for the familiar heart-shaped tag that means you?ve purchased an authentic Ty product
•Handmade with the finest quality standards in the industry
•Requires no additional gift tag; inside allows you to insert ?TO? and ?FROM? information
•Collect them all


Menace II Society (Director's Cut) [Blu-ray]

  • The place is Watts, but it could be any urban area blighted by guns and poverty. The person is 18-year-old Caine, but he could be any young man in the hood. The movie could only be Menace II Society, the bravura, uncompromising look at Caine s spiral from missed opportunities to inescapable missteps into the inner-city cycle of hate and death. The filmmaking duo The Hughes Brothers (Dead President
THE STORY ABOUT THREE FRIENDS GROWING UP IN A SOUTH CENTRAL LOS ANGELES NEIGHBORHOOD, AND OF STREET LIFE WHERE FRIENDSHIP, PAIN, DANGER AND LOVE COMBINE TO FORM REALITY. 'THE HOOD' IS A PLACE WHERE DRIVE-BY SHOOTINGS AND UNEMPLOYMENT ARE RAMPANT. BUT IT IS ALSO A PLACE WHERE HARMONY CO-EXISTS WITH ADVERSITY.John Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice! Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, ! presenting a portrait of South Central in the late '80s and ea! rly '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athleti! c scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeBoyz N the Hood is the critically acclaimed story of three friends growing up in a South Central Los Angeles neighborhood, and of street life where friendship, pain, danger and love combine to form reality. "The Hood" is a place where drive-by shootings and unemployment are rampant. But it is also a place where harmony coexists with adversity, especially for three young men growing up there: Doughboy (Ic! e Cube), an unambitious drug dealer; his brother Ricky (Morris! Chestnu t), a college-bound teenage father; and Ricky's best friend Tre (Cuba Gooding, Jr.), who aspires to a brighter future beyond "The Hood." In a world where a trip to the store can end in death, the friends have diverse reactions to their bleak surroundings. Tre's resolve is strengthened by a strong father (Larry Fishburne) who keeps him on the right track. But the lessons Tre learns are put to the ultimate test when tragedy strikes close to home, and violence seems like the only recourse. John Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in! Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton, at the age of 23, was nominated for an Academy Award for Bes! t Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is! a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton’s award-winning portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together in the ‘hood’. Facing tough lives, two succumb to the crime surrounding them in their environment, but one learns to have the strength of character to do what is right and to always take responsibility for his actions. Academy Award ® nominee for Best Director and Best Writing, Screenplay Written Directly for the Screen (1992). Stars Laurence Fishburne (The Matrix Reloaded), Cuba Gooding, Jr. (Boat Trip), Ice Cube (Barbershop), Morris Chestnut (The Break Up Handbook), Angela Bassett (How Stella Got Her Groove Back).John Singleton, at the age of 23, was! nominated for an Academy Award for Best Original Screenplay f! or his d ebut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at t! he same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living thei! r lives in terms of the epidemic of violence and poverty that ! has plag ued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeDirected by twin brothers, Allen and Albert Hughes, this critically acclaimed cinematic masterpiece brilliantly details real life in today's tough inner city. With the powerhouse performances by Tyrin Turner (Deep Cover), Larenz Tate (The Fresh Prince of Bel Air) and Jada Pinkett (A Different World), the film also features dy! namite supporting roles by Charles S. Dutton (Roc) and Bill Duke (Predator).

DVD Features:
Interviews
Production Notes
Theatrical Trailer

Tyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible--occasionally frighteningly so--that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here--and no doubt accurately ! so--is both figuratively and literally narrow. As a very young! boy, Ca ine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. --N.F. MendozaHIGHER LEARNING, BOYZ N THE HOOD, POETIC JUSTICEBoyz N the Hood
John Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wro! ng and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon Gee

Poetic Justice
Director John Singleton (Boyz N the Hood, Rosewood) made an earnest effort in this,! his second, film to say a great deal that is true and relevan! t about living and loving in a violent, difficult time in American history. Janet Jackson plays a beautician and poet who withdraws into herself after her boyfriend is murdered by gangsters. The late Tupac Shakur plays a postman who tries to get through to her, and the two travel on a course through urban America, connecting with family and community. Singleton has so much on his mind that the film comes out a terrible muddle, but there is a certain integrity peeking through the fog. Shakur makes a startlingly good impression in his film debut, and Jackson strips away her star veneer to play something like a real person--and entirely succeeds. Maya Angelou wrote the poems that pass as those penned by Jackson's character, and she also appears in the film. --Tom Keogh

Higher Learning
This ambitious 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that th! e director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding culture--is not to be dismissed. --Tom KeoghStudio: New Line Home Video Release Date: 09/08/2009 Run time: 98 minutes Rating: RTyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the mor! e powerful cinematic debuts. The film, from the brother writer! -directo r team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible--occasionally frighteningly so--that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here--and no doubt accurately so--is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much t! o overcome. --N.F. Mendoza