Saturday, November 19, 2011

I Love BRIGHAM CITY, UTAH City Limit Sign - 4 x 18 inches

  • Aluminum Brand New Sign
  • 4 x 18 inches
  • Rounded Corners
  • Predrillied for Hanging
  • Great Gift Idea
Richard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffect! ed forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutch! er’s Brigham City is a rare find in the recent onsla! ught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate ! spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sherif! f and local church bishop of a rural Utah town terrorized by a! serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerI Love BRIGHAM CITY, UTAH City Limit Sign. Made of Aluminum and High Quality Vinyl Letters and Graphics. This sign is 4 x 18 inches. Made to last for years outdoors, the sign is nice enough to display indoors too, comes with two holes pre-punched for easy installation and the corners are rounded. The item shipped will be exactly as shown in the picture (Unless you notify us otherwise i.e. a custom made order)

The Chumscrubber Poster Movie 27x40

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Chumscrubber Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
The Chumscrubber is a darkly satiric story about life crumbling in the midst of a seemingly idyllic suburbia.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Chumscrubber is a 2005 dark comedy film directed by Arie Posin and written by Posin and Zac Stanford, starring an ensemble cast. The film focuses on the lack of communication between teenagers and their parents, and the prevalence of prescription drugs in American society. The title of the film refers to a character ! that helps his friends to survive in a superficial world by keeping things authentic and is portrayed in form of a video game omnipresent in the teenagers' lives, in which a post-apocalyptic hero carries his severed head in his hand as he fights the forces of evil. One day in the fictional town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stifle (Jamie Bell), who found the body, is prescribed further antidepressants by his father Bill (William Fichtner), a psychiatrist. A guy holding his own head, a look from The Chumscrubber. Funny Tee, TShirt, Shirt. About our Dark T-Shirt: Look cool without breaking the bank. Our durable, high-quality, pre-shrunk 100% cotton t-shirt is what to wear when you want to go comfortably casual. Preshrunk, durable and guaranteed.5.6 oz. 100% cotton. Standard fit..The Chumscrubber reproduction poster print
Pop Culture Graphics, Inc is Amazon's largest source for ! movie an d TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Friday the 13th, Part VI: Jason Lives (Deluxe Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; NTSC; Subtitled; Widescreen
Studio: Paramount Home Video Release Date: 02/03/2009 Run time: 86 minutes Rating: RAs bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less att! ractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartJust whe! n you th ought it was safe to go back to camp . . . here's even more heart-pounding terror.

Five years after the horrible bloodbath at Camp Crystal Lake, all that remains is the legend of Jason Voorhees and his demented mother, who had murdered seven camp counselors. At a nearby summer camp, the new counselors are unconcerned about the warnings to stay away from the infamous site. Carefree, the young people roam the area, not sensing the ominous lurking presence. One by one, they are attacked and brutally slaughtered. Suspense and screams abound in this compelling thriller.As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing! even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his defor! med features (he finally found his way to a sporting-goods sto! re and h is trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartGet ready for twice the terror with Friday the 13th Part 2: Deluxe Edition! Five years after the massacre at Camp Crystal Lake, the nerve-wracking legend of Jason Vorhees and his diabolical mother lives on. Despite ominous warnings from the locals to stay away from “Camp Blood” a group of counselors at a nearby summer camp decide to explore there area where seven people were brutally slaughtered. All too soon, they encounter horrors of their own and the killing begins again. You’ll be at the edge of your seat for this gruesome thriller about 24 hours of bone-chilling fear!As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the! 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than an! y of the killings beforehand) in an attempt to confuse the mas! ked kill er. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartFRIDAY THE 13TH PART 3 (DELUXE EDITIO - DVD MovieThe tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good! ," but this creatively grotesque installment manages to come surprisingly close with a welcome sense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright HAVING ESCAPED IN THE LAST EPISODE, JASON IS BACK, HOCKEY MASKAND ALL, TO CONTINUE HIS MURDEROUS RAMPAGE ACROSS CRYSTAL LAKE.The tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good," but this creatively grotesque i! nstallment manages to come surprisingly close with a welcome s! ense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright FRIDAY THE 13TH: They comprise the most successful and shocking tales of terror in cinema history. Now, for the first time, the first eight classic Friday The 13th movies are available together in this killer DVD collection. Beginning with the picture that critics have called the original slasher flick, this collection spans nine years and includes seven additional blood-soaked, suspense-filled sagas starring one of the most horifying characters ever to wear a hockey mask and wield a machete: Jason Voorhees. It's a splatterfest of fear all the way from Crystal Lake to the mean streets of Manhattan. In additio! n, the collection includes a special disc filled with never-before-seen footage and fabulous extras that will slay even the most jaded horrorfilm aficionado! FRIDAY THE 13TH PART 2: Two months after the events of the original Friday the 13th, Alice (Adrienne King), the lone survivor or Mrs. Vorhees' killing spree, meets a grisly end in her city apartment. Five years later, a new group of co-eds converges near Camp Crystal Lake, scene of the original massacre and the drowning of Jason Vorhees that preceded it. This time around, the horny collegians attend a nearby training school for camp counselors. As half the group parties in town, an unseen assailant picks off the other half one by one. Only when camp leader Paul (John Furey) and his girlfriend, Ginny (Amy Steel), return to camp do they uncover the identity of their stalker â€" none other than Jason (Warrington Gillette) himself, alive but grotesquely deformed as a result of his childhood drowning. Flashbacks chronicle ! Jason's behind-the-scenes activities in the first film (perhap! s explai ning how his mother was able to throw the dead bodies of muscular youths through windows with such apparent ease). The young couple's only hope to defeat the fiend lies in psych major Ginny's insights in Jason's mental state.As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurr! ect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark Englehart! Studio: Paramount Home Video Release Date: 02/03/2009 Ru! n time: 95 minutes Rating: UrJason rises from the grave to wreak havoc upon a new group of unsuspecting campers in the ultra-bloody rampage Friday The 13th: Part VI: Jason Lives - Deluxe Edition. As a child, Tommy Jarvis killed mass-murderer Jason Voorhees. But now, years later, he is tormented by the fear that maybe Jason isn't really dead. Determined to finish off the infamous killer once and for all, Tommy and a friend dig up Jason's corpse in order to cremate him. Unfortunately, things go seriously awry, and Jason is instead resurrected, sparking a new chain of ruthlessly brutal murders. Now it's up to Tommy to stop the dark, devious and demented deaths that he unwittingly brought about in this terrifying horror film that will take you to the grave and back!

Armageddon

  • When an asteroid the size of Texas is headed for Earth, the worlds best deep core drilling team is sent to nuke the rock from the inside.Starring: Ben Affleck, Steve Buscemi, Keith David, Will Patton, PeterStormare, Billy Bob Thornton, Liv Tyler, and Bruce Willis.Directed By: Michael BayRunning Time: 2 hrs. 31 mins.This film is presented in "Widescreen" format.Copyright 1999 Buena Vista Format
In DEEP IMPACT, Leo Beiderman (Elijah Wood), joins a field study for his high school's Astronomy Club and discovers a new comet that unfortunately is headed for Earth. While scientists build a cave to prevent the extinction of the human race, they estimate that only 800,000 people can be selected to survive the "Deep Impact." The threat of a comet ending the world quickly sends Americans into a panic until the president announces a plan to send astronauts on a mission to destroy the comet before it rea! ches earth.A great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on vi! deo with his loved ones back on Earth, who follows whispered i! nstructi ons from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteDEEP IMPACT - Blu-Ray MovieA great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a! couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteA great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's ! headed right this way! As stiffly directed by Mimi Lede! r, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteA great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch c! lassic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David ChuteFrom the blockbuster-making team who produced and directed PEARL HARBOR and THE ROCK (Jerry Bruckheimer and ! Michael Bay) comes the biggest movie of 1998 -- ARMAGEDDON! St! arring t he explosive talents of Bruce Willis (DIE HARD), Academy Award(R)-winners Ben Affleck (GOOD WILL HUNTING) and Billy Bob Thornton (SLING BLADE), Liv Tyler (INVENTING THE ABBOTTS), Steve Buscemi (CON AIR), and Will Patton (INVENTING THE ABBOTTS), ARMAGEDDON is a meteor storm of action-adventure moviemaking that has you on the edge of your seat forgetting to breathe! When NASA's executive director, Dan Truman (Thornton), realizes the Earth has 18 days before it's obliterated by a meteor the size of Texas, he has only one option -- land a ragtag team of roughneck oil drillers on the asteroid and drop a nuclear warhead into its core. Spectacular special effects, laugh-out-loud humor, great characters, riveting storytelling, and heartfelt emotion make ARMAGEDDON an exhilarating thrill ride you'll want to experience like there's no tomorrow.The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) conti! nues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Dunc! an, all adding needed touches of humor and charisma. When Bay ! applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoyThe 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and direct! or Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Bus! cemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all! adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

House of Sand and Fog

  • Condition: New
  • Format: DVD
  • AC-3; Anamorphic; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widesc
Filmed entirely on the magnificent, sandy coast of northern Brazil, Áurea's saga begins in 1910, in Maranhão, where her fanatical husband has relocated his family to start a farm. Desperate and pregnant, Áurea (Fernanda Torres) longs to return to the city, but cannot traverse the dunes with her aging mother, Maria (Fernanda Montenegro) in tow. When calamity strikes, the two women find themselves stranded. Eventually, they settle among the shifting sands and Áurea finds peace. But her passionate daughter, Maria, longs to explore the world beyond the dunes. This profound portrait of passing generations has established Andrucha Waddington as one of the most exciting directors in Brazil today.The landscape looks like the surface of the moon. Set in Br! azil's Maranhão desert, House of Sand follows three generations of women, from 1910 to 1969, as they eke out a living from this hostile environment. Oafish Vasco (director Ruy Guerra) brings pregnant wife Áurea (Fernanda Torres) and her mother, Dona Maria (Fernanda Montenegro, Central Station), from the city to make a new start. Shortly after they arrive, fate takes him out of the picture. Mother and daughter muddle through with the help of slave descendents. Wary at first, Massu (Seu Jorge, City of God) takes a particular shine to the duo. The story then skips ahead to 1919, when an escape route materializes. There will be two more shifts in time. By 1942, Áurea's daughter, Maria (Torres), has grown into impetuous womanhood, while Áurea (Montenegro) and Massu (Luiz Melodia) have settled into middle age. In the final section, set during the year of the first lunar landing, Áurea (Montenegro) is around the same age as her mother at the start of the ! film. With the exception of Camilla Facundes as nine-year-old ! Maria, T orres and her real-life mother assume every female role. What does it all mean? Andrucha Waddington (Me You Them) doesn't burden his enigmatic epic with a singular message, but those who appreciate dust-swept dramas like Woman in the Dunes and Walkabout aren't likely to hold it against him. The point seems to be that the human--especially the female--capacity for survival knows no bounds. --Kathleen C. Fennessy

Stills from House of Sand (click for larger image)



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Academy Award winners Ben Kingsley (Gandhi) and Jennifer Connelly (A Beautiful Mind) deliver stunning performances as two strangers whose conflicting pursuits of the American Dream lead to a fight for their hopes at any cost. What begins as a struggle over a rundown bungalow spirals into a clash that propels everyone involved toward a shocking resolution. "The surprise ending will leave you breathless!" (Clay Smith, Access Hollywood! )Jennifer Connelly followed up her Academy Award for A Beau! tiful Mi nd with this dark but moving story of small mistakes that escalate, with tragic necessity, to disaster. In House of Sand and Fog, Kathy (Connelly) gets evicted from her house for failing to pay a tax she never should have been charged in the first place. The house is swiftly put up for auction and bought by a former military officer from Iran named Behrani (Ben Kingsley, Sexy Beast). When legal efforts fail her, Kathy turns to a sympathetic cop (Ron Eldard, Bastard Out of Carolina), who wants out of a loveless marriage and who's willing to step over legal boundaries if it might give him a fresh start. Topnotch performances by the entire cast make House of Sand and Fog a compelling psychological drama; your sympathies will be pulled in all directions. --Bret Fetzer

AlphaDog, Get The Bitch You Want: A Man's Guide to Dating, by a Woman

  • ISBN13: 9780615287737
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They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. ! Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary in! terviews to chronicle a tragic tailspin of reckless events and! lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), an! d Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonStudio: Uni Dist Corp. (mca) Release Date: 07/13/2010 Run time: 122 minutes Rating: RWith harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including F! rankie (Justin Timberlake) encounter Jake's 15-year-old half-b! rother Z ack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party an! imal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff Shannon They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial f! ilm.With harrowing intensity, Alpha Dog dramatizes one ! of the m ost tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog emplo! ys split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstr! ates a remarkable skill with actors (including Sharon Stone, B! ruce Wil lis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonStudio: Uni Dist Corp. (mca) Release Date: 06/28/2011 Rating: RWith harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and! his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contr! asts his music-industry stardom with a convincing performance ! as a lik able, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff Shannon They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this ! powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casua! l, seemingly harmless situation escalates into a crisis of cap! ital cri me, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father ! John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonThey grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Ni! ck Cassavetes' flawed but riveting crime drama (a polar opposi! te to hi s previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.

Cassavetes himself became part ! of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dange! rous moments that aren't easily forgotten. --Jeff ShannonStudi o: Uni Dist Corp. (mca) Release Date: 03/22/2011 Rating: RWe can learn a lot from dogs-- both wild and domestic. Dogs are not only man's best friends, they are also a source of powerful lessons for our character and our relationships. There are different ways to pursue women. You can be like a cheetah â€" speedy â€" and skillfully pick up women with your charm and wit. Or you can be like a lion â€" powerful â€" and get women by attracting them with your vast wealth or social position. You might not be like a cheetah or a lion, but anyone be like a wild dog. Wing Girl Kim gives a woman's perspective on dating to offer honest and sound dating advice for men. In AlphaDog, Get The Bitch You Want, she goes beyond pickup tactics and deeper than etiquette. Using the same leadership principles used in business and combining it with Jungian personality type theory, Kim shows men how to take smarter approach to dating.

A Dog of Flanders

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A classic sentimental story of a rustic boy, Patrasche, and his beloved dog. T! he boy desires to be an artist and the dog helps him reach his goal. Both of them face various hardships to fulfill the dream. The novel stresses the need for hard work in order to realize an ambition. Undoubtedly a wonderful piece of writing that will be engraved in the reader’s memory. Timeless!

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Coraline (Two-Disc Blu-ray/DVD Combo w/ Anaglyph 3D)

  • Format: AC-3, Animated, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, 3D, Widescreen
  • Language: English, Spanish, French
  • Aspect Ratio: 1.85:1
  • Run Time: 100 minutes
  • Actors: Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders, Dawn French
From the Director of The Nightmare Before Christmas comes a visually stunning stop-motion animated feature! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Critics are hailing Coraline as "a remarkable feat of the imagination" (Kenneth Turan, Los Angeles Times). Directed by: Henry SelickIncludes: 3D Glasses (4 pairs) From the Director of The Nightmare Befor! e Christmas comes a visually stunning stop-motion animated feature - the first to be originally filmed in 3-D! Discover how the filmmakers and artisans created the magical handmade world of Coraline, exclusively in this 2-Disc Collector's Edition! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Coraline is "A visual marvel." (Claudia Puig, USA TODAY). Directed by: Henry SelickA dark and creepy film about family relationships directed by Henry Selick of Nightmare Before Christmas and James and the Giant Peach fame, Coraline is based on the haunting book Coraline by Neil Gaiman. The first stop-motion feature shot in stereoscopic 3-D, Coraline features big-headed, stick-bodied animated! characters with huge eyes and demonic grins set against menac! ing back grounds and an undercurrent of spooky music. Coraline is a teenager who has just moved to an old house in the middle of nowhere with her writer parents and she is bored, bored, bored. Her only companions are an annoyingly talkative boy Wybie (short for Why Born), some eccentric neighbors from the theater and circus, and a strange, button-eyed doll with a marked resemblance to Coraline which Wybie found in an old trunk of his grandmother's. When Coraline finds an old door hidden behind an armoire and papered over with wallpaper, she convinces her mother to unlock it, only to find a wall of bricks. When Coraline revisits the door later that night, the bricks magically disappear and she discovers a strange pathway to another world where everything is just what she wishes for. In stark contrast to the real world where Coraline's parents just don't have time for her, her "Other Mother" and "Other Father" in this alternate world are the perfect loving, attentive parents who antici! pate her every need and desire. Initially comforted and quite happy in this new world, suspicion that things may not be quite as they seem grows inside Coraline and her disquiet is furthered by the mute "Other Wybie" and a strange-talking cat that seems to move between both worlds. Eventually, Coraline discovers some dark secrets about her "other parents" and the seemingly perfect "other world," but it may be too late for her to escape back to the real world. Teri Hatcher is especially effective in her dual (voice) role as Mom and "Other Mom" and Dakota Fanning also gives a great performance as Coraline. Coraline is a disturbing, intriguing film that both captivates and frightens. (Ages 11 and older) --Tami Horiuchi

Stills from Coraline (Click for larger image)