- Michael Keaton (BATMAN) delivers a critically acclaimed performance as Artie Lewis, an honest and dedicated police detective in this suspenseful, action-filled movie. Keaton becomes the legal guardian of three orphaned girls when his partner (Anthony LaPaglia, BETSY'S WEDDING) is killed in a drug raid. During his investigation of the vicious drug ring responsible, Keaton finds his life -- and
Thrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disasterand winning! So when his world becomes too stiflingly safe, he pulls off his boldest stunt ever: stealing a priceless paintingin broad daylightfrom one of Manhattan's most heavily guarded museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork, Catherine's every bit as intelligent, cunning and hu! ngry for adventure as he is. And just when Thomas realizes he's finally met his match, she skillfully leads him into a daring game of cat and mouse that's more intoxicating and dangerous than anything either of them has ever experienced before!For the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect,
The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ! ways than one. If you're thinking cat-and-mouse game, think ag! ain--it' s more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and
nothing is off-limits, especially after they start a highly charged love affair that's a heated mix of business and pleasure.
What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish! , smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark EnglehartThrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disasterand winning! So when his world becomes too stiflingly safe, he pulls off his boldest stunt ever: stealing a priceless paintingin broad daylightfrom one of Manhattan's most heavily guarded museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork, Catherine's every bit as intelligent, cunning and hungry for adventure as he is. And just when Thomas realizes he's finally met his match, she skillfully leads him into a daring game of cat and mouse that's more intoxicating and da! ngerous than anything either of them has ever experienced befo! re!For t he Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ways than one. If you're thinking cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especially after they start a highly charged love! affair that's a heated mix of business and pleasure.
What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitt! en with Russo, and Faye Dunaway in a throwaway but wholly enjo! yable ca meo as Brosnan's therapist. --Mark EnglehartBUDDY - DVD MovieBased on the life of Gertrude Lintz, a Long Island socialite who kept an amazing menagerie of animals on her estate, this very able film by Caroline Thompson (Black Beauty) concentrates on Lintz's relationship with a gorilla named Buddy, whom she raised from infancy on. The film is geared toward kids, but in the very best sense as Thompson orchestrates some very entertaining sequences without cutting corners on logic, the way most forms of children's entertainment do today. Rene Russo is very good as the eccentric woman, and Robbie Coltrane is uncharacteristically warm and fuzzy as her patient husband. Nice support work from Alan Cumming and the rest of the cast. Thompson is aiming for something akin to the live-action glory days of Disney, and she comes close to achieving it. --Tom Keogh Michael Keaton (BATMAN) delivers a critically acclaimed performance as Artie Lewis, an honest and dedicated! police detective in this suspenseful, action-filled movie. Keaton becomes the legal guardian of three orphaned girls when his partner (Anthony LaPaglia, BETSY'S WEDDING) is killed in a drug raid. During his investigation of the vicious drug ring responsible, Keaton finds his life -- and that of his family -- on the line! He's determined to protect them at all costs, and in a fiery climax, he learns what it takes to be ONE GOOD COP!
