Thursday, November 17, 2011

First Kid

  • Sinbad plays wisecracking Secret Service agent Sam Simms, assigned to protect the President's rebellious 14-year-old son Luke (THE MIGHTY DUCKS' Brock Pierce). Simms would much rather be protecting the President, and Luke would prefer to be just a regular kid without a watchdog trailing him everywhere he goes. But a genuine friendship develops between the two when Simms volunteers to teach
Sinbad plays wisecracking Secret Service agent Sam Simms, assigned to protect the President's rebellious 14-year-old son Luke (THE MIGHTY DUCKS' Brock Pierce). Simms would much rather be protecting the President, and Luke would prefer to be just a regular kid without a watchdog trailing him everywhere he goes. But a genuine friendship develops between the two when Simms volunteers to teach Luke how to deal with a school bully (HOME IMPROVEMENT'S Zachery Ty Bryan), and to untie his tongue so that he can win ! over a cute girl in class. But when Luke's mysterious Internet buddy convinces him to ditch his bodyguard in a crowded mall, the fun and games suddenly become a matter of life and death! The votes are in from both audiences and critics -- "Sinbad is hilarious" (KNX Radio/CBS Radio) in this "laugh-a-minute" comedy (Sneak Previews).An underrated actor, Sinbad is very good in this comedy-drama about a Secret Service agent who gets the thankless detail of guarding the president's bratty son. In time, the two become touchingly close, with Sinbad's character providing the kind of surrogate fathering the boy's ultra-busy dad can't give. The plot takes an inevitable turn toward greater drama when the young man is kidnapped, but director David Mickey Evans handles the whole thing very well, and the resolution makes for fairly satisfying action. But Sinbad's presence is an agreeably warm one--though he is also quite funny and original in early sequences when the prez's son is torment! ing him--and makes this film surprisingly watchable. --Tom! Keogh
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Head Over Heels (Marine, Book 1)

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Chakra Clearing (Book & CD)

  • ISBN13: 9781401902773
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Clutter clearing can radically transform your life. Drawing on her wealth of experience as a Feng Shui and Space Clearing consultant, Karen Kingston explains how clutter is stuck energy with far-reaching physical, mental, emotional and spiritual effects. Her inspiring book will motivate you to clutter clear as never before, once you realize just how much your junk is holding you back!

This groundbreaking book was the first ever to focus on the highly transformational process of clearing clutter in the context of Feng Shui. It is an international bestseller in over 20 languages, and is widely acknowledged as a classic in its field. It has changed a whole generation's approach to clutter.
Originally published in paperback 1998, it was completely revised and updated in 2008 to include about 15% more content and a whole new chapter about 'Time Clutter'.

The first Kindle ebook edition was published in 2010, and this 2011 edition includes another vital new chapter called ‘Changing Standpoint’. It's also the ultimate clutter-free edition since it will take up no physical space on your bookshelf at all!Clutter clearing can radically transform your life. Drawing on her wealth of experience as a Feng Shui and Space Clearing consultant, Karen Kingston explains how clutter is stuck energy with far-reaching physical, mental, emotional and spiritual effects. Her inspiring book will motivate you to clutter clear as never before, once you realize just how much your junk is holding you back!

This groundbreaking book was the first ever to focus on the highly transformational process of clearing clutter in the context of Feng Shui. It is an i! nternational bestseller in over 20 languages, and is widely ac! knowledg ed as a classic in its field. It has changed a whole generation's approach to clutter.

Originally published in paperback 1998, it was completely revised and updated in 2008 to include about 15% more content and a whole new chapter about 'Time Clutter'.

The first Kindle ebook edition was published in 2010, and this 2011 edition includes another vital new chapter called ‘Changing Standpoint’. It's also the ultimate clutter-free edition since it will take up no physical space on your bookshelf at all!
When you clear away negative energy residues from fear and worry, your natural spiritual power awakens. This innate power allows you to know the future; freely communicate with God and the angels; and heal yourself, others, and the planet. In Chakra Clearing, Doreen Virtue guides you through meditations and visualizations to clear your chakras, which activates your inborn healing and psychic abilities.

 

Enclosed you’ll also find a meditative CD that complements the material in the book. The CD starts with a morning meditation designed to begin your day with a bright, positive energy frequency and surround you with healing light. The relaxing evening meditation that follows clears away energy that you may have absorbed during the day, and invites angels to enter your dreams an! d give you divine messages.                

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“This book and CD will help you understand the functions of the major chakras,

and esoteric methods for clearing them of fear. Your natural state is one of high energy,

intuition, and creativity. You don’t need to add anything to yourself to enjoy

these characteristicsâ€"you already ! own them within yourself. Just like a sculptor needs to

chip away the parts of the statue that aren’t part of the ultimate creation, you only

need to clear away fear to reveal your innate qualities.”â€" Doreen Virtue

For readers who seek a straightfor! ward guidebook on learning about the chakra system and how to keep it healthy, this is an excellent resource. Virtue, who is a bestselling author (Messages From Your Angels, Healing With the Angels) and clairvoyant doctor of psychology, identifies the placements and functions of these "energy centers" in the body. She then teaches readers how to keep these chakras clear and clean, leading to greater health and energy.

The chakras themselves are a beautiful progression of shifting colors, starting with the red root chakra at the base of the spine and moving up the body, shade-by-shade, and ending with the royal purple "crown" chakra at the top of the head. Each chakra interacts with a person's issues and concerns in the world. For instance, the root chakra relates to basic survival, such as money, shelter, and material needs, according to Virtue. If a person feels stable in this arena, the "root chakra looks like a brilliant ruby held under a spotlight,"! she explains. However, if people feel fearful about money or ! become o verly obsessed with their career or possessions, this chakra will be come "dirty" and have a muddy, dark red color.

Virtue offers an extensive assortment of original, guided meditations that are effective in cleaning and clearing all the chakras. The information is well organized and clearly presented with a corresponding CD to help readers integrate the meditations into daily life. She also touches upon other cleaning tools, such as what foods and crystals support the chakra system. Advanced energy workers may find this material basic, but beginners should find it an outstanding primer. --Gail Hudson

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Capitalism: A Love Story

  • In presenting a fireball of a movie that might change your life (Peter Travers, Rolling Stone), Moore skewers both major political parties (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has dug up some astonishing dirt (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and e
In presenting a “fireball of a movie that might change your life” (Peter Travers, Rolling Stone), Moore “skewers both major political parties” (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has “dug up some astonishing dirt” (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and evicted, in the food stamps received by hungry airline pilots, and in the courage of fi! red factory workers who refuse to go quietly. But more than a cry of despair, Moore’s film raises the possibility of hope. Capitalism: A Love Story is “The most American of films since the populist cinema of Frank Capra (It’s a Wonderful Life)” (Dan Siegel, Huffington Post ), “a movie that manages shrewdly, even brilliantly, to capitalize on the populist anger that has been sweeping the nation” (Joe Morgenstern, Wall Street Journal ). Capitalism: A Love Story is loaded with over 90 minutes of hilarious extended and deleted scenes, as well as exciting and informative featurettes profiling Americans and American businesses!Michael Moore's didactic documentary style is actually a source of inspiration in Capitalism: A Love Story. This film, which explores the history of incongruence between American capitalism and democracy, is evidently a culmination of Moore's lifetime of research into this topic: he begins the movie by admitting his longstanding interes! t, rooted in childhood experiences in Flint, Michigan. As a re! sult, th e film displays an expertise that is less irritating than in Moore's earlier works, in which various loopholes can be found in one-sided presentations (see Bowling for Columbine). Here Moore employs his trademark tactics to make a satirical documentary that functions as a film-based, grassroots political strategy meant to provoke revolt. Consisting of patched-together clips from various eras and media outlets, the film weaves a narrative that underscores Moore's argument that while America is a success because of its democracy, it has been denigrated by capitalism, which he calls "a system of taking and giving, mostly taking." Capitalism: A Love Story is a patriotic call to arms that seeks to ignite rage in the viewer who is tired of political stupidity resulting in poverty and hardship among a dwindling middle class. It begins by tracing the growing gap between the rich and poor, from the Depression through the 1950s "free enterprise" boom. Using clips of ! FDR and Jimmy Carter warning against greed and inequality, Moore shows how gradually Americans came to accept Reaganomics, corporate corruption, then Bush-era swindling over time. This history serves as context for his explanation of the housing crisis, the collapse of banks, and Bush's covert, last-ditch efforts to pass sketchy bills on the cusp of Obama's election. Moore asks several lawyers, senators, and bankers, "What the **** happened?" and each offers intelligent assessments of situations that many American viewers still struggle to comprehend. Unfortunately, there are corny Moore moments throughout the film, such as when he takes an armored truck to various banking headquarters and harasses security guards to let him in to reclaim money stolen from the American public. Clips of Bush dancing juxtaposed with shots of people crying because they've lost their homes are melodramatic and only weaken Moore's arguments. Like Robin Hood, Moore seeks justice, but his greatest! strength is as a translator between those speaking a complex ! politica l language and his viewers. Capitalism: A Love Story, while it does have a condescending tone throughout, does much to relay a complicated history that we all need to know for the sake of our own empowerment. --Trinie Dalton

Stills from Capitalism: A Love Story (Click for larger image)










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Broken Embraces [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era wi! th Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty son, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and ! his girl, and the culprit isn't as obvious as it seems. With Embrac es, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from Broken Embraces (Click for larger image)








A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a ! relationship with her boss Ernesto (José Luis Gómez), a very! wealthy , much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era with Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty so! n, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and his girl, and the culprit isn't as obvious as it seems. With Embraces, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from ! Broken Embraces (Click for larger image)









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